Upgrade your ring brand to luxury.

Stone fire is the visible signal of cut quality and a serious shoot's hardest frame. The way an emerald cut throws long flashes, the way an asscher reads as concentric squares, the way a brilliant round throws white and coloured fire under raking light. Upload at least one reference of the stone in different ambient (one in soft daylight, one under a single-source raking light if possible). The model preserves cut style, facet geometry, colour saturation, and the way light passes through the table and out the pavilion.

Yes. Prong architecture is a craft signal: a four-prong cathedral vs a six-prong basket vs a bezel set all read differently. Include a macro reference of the gallery from above and one from the side so the model sees prong placement, height, and any pierced or scalloped gallery detail. The platform preserves prong count, geometry, and the gallery cutwork across every generated frame.

On-hand is the conversion frame for a ring brand. The ring on a finger held at three-quarter angle in soft window light, against a knitted cashmere cuff, mid-gesture holding a ceramic cup, resting against a worn leather notebook. Brief the hand context, the surface, and the ambient. The ring remains anchored to your reference; the hand model's skin tone, finger length, manicure, and pose are composed in the brief. Band thickness, stone proportion, and prong angle stay correct because the model reads geometry from your photos.

An indie ring house typically issues the same silhouette in 18k yellow, white, and rose gold, sometimes also platinum and oxidised silver. The platform handles metal shifts on the same setting as a brief modifier: "same ring in 18k rose gold, no other changes." The stone, the prong architecture, the gallery, and the band proportions stay identical; only the metal tone and any visible hallmark for the metal change.

Yes. Pavé reads on stone density and consistent diameter across the band. Channel-set reads on the channel walls and the way stones sit flush. Include a macro reference of the band cropped tight so the model sees stone count, spacing, and depth. The platform preserves the density and the channel geometry. For brands whose craft signature lives in the pavé (Catbird's stacking range, WWAKE's alternative settings), this is the technical frame that separates the campaign from a catalogue shot.

Yes. Stacking is a brand aesthetic in its own right, with photographic conventions that differ from solo-ring shots. The frame composes three to six bands on one finger, the contrast between metals and stones, the way the stack reads as an editorial curation rather than a pile. Upload each ring as its own reference, then brief the stack composition (which rings, in what order, on which finger). The platform renders the stack with the proportions you'd see in a Catbird or Spinelli Kilcollin campaign.

Yes. A ring line lives on cross-design cohesion: the engagement piece, the stacking band, the signet, the statement cocktail ring all need to read as the same maker. Save reusable Aesthetics (palette, lighting grammar, surface vocabulary, prop language) and apply across every reference. New stones, new metals, new silhouettes inherit the campaign's visual register without re-briefing from scratch.

Yes. You own every image you generate, with full commercial rights for owned channels: site, product pages, paid campaigns, jewellery wholesale and stockist decks, print, social, lookbooks. No per-image licence, no usage caps. Pricing: 8 credits to try free, paid plans from $15/month (Lite, 75 credits). Core: 150 to 300 credits/month. Max: 500 to 2,000. Annual billing is 25% off.