Upgrade your leather goods brand to luxury.

Leather is a material with character, and the character is the brand. Full-grain pebble, top-grain smooth, vegetable-tanned bridle, suede, nubuck, embossed Saffiano, patent, and hand-burnished aniline all read differently under light. Upload 4 to 8 references showing the actual hide from a few angles, including at least one close crop that shows the grain at scale. The model preserves the grain pattern, the sheen, the way light catches the surface, and the colour as it shifts in different ambient.

Yes, when the references are usable. Hardware is the second material in a bag and often the brand signature: the brass turn-lock on a Polène, the engraved plate on a Mansur Gavriel, the magnetic snap on a Cuyana tote. Include a clear reference of the hardware closed and one of it open if possible. The model preserves the architecture, finish (polished brass, brushed nickel, aged gold, gunmetal), and any engraving or maker mark.

Yes. Atelier scenes are the strongest editorial register for a leather house: the bag mid-construction on a leather worker's bench, edge paint drying, a stitching pony in soft window light, the maker's tools laid out around an unfinished piece. Brief the surface, the props, and the ambient. The bag stays anchored to your reference; the workshop scene around it is composed in the brief.

On-body is the conversion frame for a bag brand. The bag carried over a shoulder, held in hand on a Paris street, laid across a coat in the back of a taxi, against a soft cashmere coat at golden hour. The bag remains anchored to your reference; the wearer's posture, garment, and surrounding scene are composed in the brief. Strap proportions, body angle, and hardware orientation all stay correct because the model reads the bag's geometry from your photos.

Yes. Stitching and edge paint are the craft signals a serious buyer reads first. Include at least one reference cropped tight on a corner so the model sees stitch density, thread colour, edge-paint colour, and the burnished finish. The platform renders the same stitch rhythm and edge treatment across every generated frame. For brands whose craft signature is in the saddle stitch (Hermès register) or the painted edge (Polène register), this is the technical frame that separates the campaign from the catalogue.

A bag house typically launches a silhouette in three to six colourways. The platform handles colour shifts on the same silhouette as a brief modifier: "the same bag in vegetable-tanned cognac, no other changes." The hardware finish, the proportions, the stitching, and the silhouette stay identical. This is what makes a drop's worth of campaign frames in an afternoon practical: one silhouette reference, multiple colour briefs, a full campaign.

Yes. A leather house is judged on cross-product cohesion: the tote, the small wallet, the card case, the belt, and the keychain all need to read as the same brand. Save reusable Aesthetics (palette, lighting grammar, surface vocabulary, prop language) and apply across every reference. The accessory and the hero bag inherit the same visual language. The catalogue reads as one house, not a category page.

Yes. You own every image you generate, with full commercial rights for owned channels: site, product pages, paid campaigns, retailer decks, print, lookbooks, wholesale. No per-image licence, no usage caps. Full terms in our Terms of Service.

8 credits to try, free, usable on any resolution and either engine. Paid plans begin at $15/month (Lite, 75 credits). Core: 150 to 300 credits/month. Max: 500 to 2,000. Annual billing is 25% off. See pricing for the full ladder.